Wednesday, April 29, 2009

Internet Download Manager 5.17 Build 2 + KeyGen Patch [100% OK][NEW][UPDATE APRIL/29/2009]


New! Try Internet Download Manager 5.17 (Added FLV grabber to browser context menu to download videos from YouTube, Google Video, MySpace TV, and other popular sites)

Internet Download Manager (IDM) is a tool to increase download speeds by up to 5 times, resume and schedule downloads. Comprehensive error recovery and resume capability will restart broken or interrupted downloads due to lost connections, network problems, computer shutdowns, or unexpected power outages. Simple graphic user interface makes IDM user friendly and easy to use.Internet Download Manager has a smart download logic accelerator that features intelligent dynamic file segmentation and safe multipart downloading technology to accelerate your downloads. Unlike other download managers and accelerators Internet Download Manager segments downloaded files dynamically during download process and reuses available connections without additional connect and login stages to achieve best acceleration performance.

Internet Download Manager supports proxy servers, ftp and http protocols, firewalls, redirects, cookies, authorization, MP3 audio and MPEG video content processing. IDM integrates seamlessly into Microsoft Internet Explorer, Netscape, MSN Explorer, AOL, Opera, Mozilla, Mozilla Firefox, Mozilla Firebird, Avant Browser, MyIE2, and all other popular browsers to automatically handle your downloads. You can also drag and drop files, or use Internet Download Manager from command line. Internet Download Manager can dial your modem at the set time, download the files you want, then hang up or even shut down your computer when it's done.

Other features include multilingual support, zip preview, download categories, scheduler pro, sounds on different events, HTTPS support, queue processor, html help and tutorial, enhanced virus protection on download completion, progressive downloading with quotas (useful for connections that use some kind of fair access policy or FAP like Direcway, Direct PC, Hughes, etc.), built-in download accelerator, and many others.

Version 5.17 adds IDM download panel for web-players that can be used to download flash videos from sites like YouTube, MySpaceTV, and Google Videos. It also features complete Vista support, YouTube grabber, redeveloped scheduler, and MMS protocol support. The new version also adds improved integration for IE and IE based browsers, redesigned and enhanced download engine, the unique advanced integration into all latest browsers, improved toolbar, and a wealth of other improvements and new features.

Installation Guide :
0. Trust Me!
1. Download at Ziddu.com
2. Install the app.
3. Run Patch
4. Run Keygen [U can register with your name]
5. Enjoy it!!!!!
6. Now the IDM is Fully Yours
Try Internet Download Manager for free
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Setup IDMAN 5.17

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Patch IDMAN 5.17

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Keygen IDMAN 5.17

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Monday, April 27, 2009

Internet Download Manager 5.17 + KeyGen Patch [100% OK][NEW][UPDATE APRIL/28/2009]


New! Try Internet Download Manager 5.17 (Added FLV grabber to browser context menu to download videos from YouTube, Google Video, MySpace TV, and other popular sites)

Internet Download Manager (IDM) is a tool to increase download speeds by up to 5 times, resume and schedule downloads. Comprehensive error recovery and resume capability will restart broken or interrupted downloads due to lost connections, network problems, computer shutdowns, or unexpected power outages. Simple graphic user interface makes IDM user friendly and easy to use.Internet Download Manager has a smart download logic accelerator that features intelligent dynamic file segmentation and safe multipart downloading technology to accelerate your downloads. Unlike other download managers and accelerators Internet Download Manager segments downloaded files dynamically during download process and reuses available connections without additional connect and login stages to achieve best acceleration performance.

Internet Download Manager supports proxy servers, ftp and http protocols, firewalls, redirects, cookies, authorization, MP3 audio and MPEG video content processing. IDM integrates seamlessly into Microsoft Internet Explorer, Netscape, MSN Explorer, AOL, Opera, Mozilla, Mozilla Firefox, Mozilla Firebird, Avant Browser, MyIE2, and all other popular browsers to automatically handle your downloads. You can also drag and drop files, or use Internet Download Manager from command line. Internet Download Manager can dial your modem at the set time, download the files you want, then hang up or even shut down your computer when it's done.

Other features include multilingual support, zip preview, download categories, scheduler pro, sounds on different events, HTTPS support, queue processor, html help and tutorial, enhanced virus protection on download completion, progressive downloading with quotas (useful for connections that use some kind of fair access policy or FAP like Direcway, Direct PC, Hughes, etc.), built-in download accelerator, and many others.

Version 5.17 adds IDM download panel for web-players that can be used to download flash videos from sites like YouTube, MySpaceTV, and Google Videos. It also features complete Vista support, YouTube grabber, redeveloped scheduler, and MMS protocol support. The new version also adds improved integration for IE and IE based browsers, redesigned and enhanced download engine, the unique advanced integration into all latest browsers, improved toolbar, and a wealth of other improvements and new features.

Installation Guide :
0. Trust Me!
1. Download at Ziddu.com
2. Install the app.
3. Run Patch
4. Run Keygen [U can register with your name]
5. Enjoy it!!!!!
6. Now the IDM is Fully Yours
Try Internet Download Manager for free
CLICK TO REGISTER AND DOWNLOAD THE MP3s!
Withdraw Your Ziddu's Earning
with Moneybookers
to Register

Setup IDMAN 5.17
Click Here to Download
Mirror : Click Here to Download
Mirror : Click Here to Download
Patch IDMAN 5.17
Click Here to Download
Mirror : Click Here to Download
Mirror : Click Here to Download

Keygen IDMAN 5.17
Click Here to Download
Mirror : Click Here to Download
Mirror : Click Here to Download

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Deep Purple - Burn [1974][MP3 DOWNLOAD]


Review by Eduardo Rivadavia @ALLMUSIC.COM

Although it shook the band's fan base to its core, the acrimonious departure of vocalist Ian Gillan and bassist Roger Glover served to rejuvenate Deep Purple in time for 1973's aptly named Burn album, which unquestionably showed huge improvement over their lackluster previous effort, Who Do We Think We Are. And in an interesting twist rarely attempted before or since, new recruits David Coverdale (vocals) and Glenn Hughes (bass and vocals, ex-Trapeze) traded lead singing duties on virtually every one of its songs — an enviable tag team, as both possessed exceptional pipes. The phenomenal title track started things off at full throttle, actually challenging the seminal "Highway Star" for the honor of best opener to any Deep Purple album, while showcasing the always impressive drumming of Ian Paice. Up next, the intro to the equally timeless "Might Just Take Your Life," however simple from a technical perspective, remains one of organist Jon Lord's signature moments; and the downright nasty "Lay Down, Stay Down" roared behind wildly careening starts and stops and a fantastic Ritchie Blackmore guitar solo which left no doubt as to who was the band's primal force, regardless of lineup. Moving right along, though it was rarely included in later-day greatest hits sets, "What's Going on Here" was about as good a single as Purple ever wrote; "You Fool No One" was compelling for its sheer intensity; and the funky "Sail Away" was a sign of the band's direction in years to come. Lastly, the fantastic slow-boiling blues of "Mistreated" closed the album proper (let's ignore the record's only throw-away track — boring final instrumental "A 200") with a command solo performance from Coverdale, as nuanced and sensitive as it was devastating. So impassioned was the singer's delivery, in fact, that the song would remain his personal, in-concert trademark with Whitesnake, long after his tenure with Deep Purple came to a close. Like the vast majority of Burn this song's greatness qualifies it for the highest echelons of hard rock achievement, and therefore ranks as an essential item in the discography of any self-respecting music fan.


Track Listing
01. Burn
02. Might Just Take Your Life
03. Lay Down, Stay Down
04. Sail Away
05. You Fool No One
06. What's Going On Here
07. Mistreated
08. "A" 200

Download Instructions :
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1. Download The Direct Link at Ziddu.com
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3. after you've got the link Copy the Link and paste it in new tab.
4. Download the MP3
5. It's 100% Free MP3
6. Enjoy it!!!!!

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01. Burn    13.9 M 
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02. Might Just Take Your Life    10.67 M
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03. Lay Down, Stay Down    9.9 M
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04. Sail Away    13.46 M
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05. You Fool No One    10.92 M
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06. What's Going On Here    11.44 M 
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07. Mistreated    17.07 M
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08. "A" 200    9.32 MM
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Deep Purple - Live In London 1974 [Remastered 2007][MP3 DOWNLOAD]


Biography by Jason Ankeny & Greg Prato @ALLMUSIC.COM

Deep Purple survived a seemingly endless series of lineup changes and a dramatic mid-career shift from grandiose progressive rock to ear-shattering heavy metal to emerge as a true institution of the British hard rock community; once credited in the Guinness Book of World Records as the globe's loudest band, their revolving-door roster launched the careers of performers including Ritchie Blackmore, David Coverdale, and Ian Gillan.

Deep Purple was formed in Hertford, England, in 1968, with an inaugural lineup that featured guitarist Blackmore, vocalist Rod Evans, bassist Nick Simper, keyboardist Jon Lord, and drummer Ian Paice. Initially dubbed Roundabout, the group was first assembled as a session band for ex-Searchers drummer Chris Curtis but quickly went their own way, touring Scandinavia before beginning work on their debut LP, Shades of Deep Purple. The most pop-oriented release of their career, the album generated a Top Five American hit with its reading of Joe South's "Hush" but otherwise went unnoticed at home. The Book of Taliesyn followed (in the U.S. only) in 1969, again cracking the U.S. Top 40 with a cover of Neil Diamond's "Kentucky Woman."

With their self-titled third LP, Deep Purple's ambitions grew, however; the songs reflecting a new complexity and density as Lord's classically influenced keyboards assumed a much greater focus. Soon after the album's release, their American label Tetragrammaton folded, and with the dismissals of Evans and Simper, the band started fresh, recruiting singer Ian Gillan and bassist Roger Glover from the ranks of the pop group Episode Six.

The revamped Deep Purple's first album, 1970's Concerto for Group and Orchestra, further sought to fuse rock and classical music. When the project, which was recorded with the Royal Philharmonic Orchestra, was poorly received, Blackmore took creative control of the band, steering it towards a heavier, guitar-dominated approach which took full advantage of Gillan's powerful vocals. The gambit worked; 1970's Deep Purple in Rock heralded the beginning of the group's most creatively and commercially successful period. At home, the album sold over a million copies, with the subsequent non-LP single "Black Night" falling just shy of topping the U.K. pop charts. Released in 1971, Fireball was also a smash, scoring a hit with "Strange Kind of Woman."

Plans to record the follow-up at the Casino in Montreux, Switzerland, were derailed after the venue burned down during a live appearance by Frank Zappa, but the experience inspired Deep Purple's most enduring hit, the AOR staple "Smoke on the Water." The song, featured on the multi-platinum classic Machine Head, reached the U.S. Top Five in mid-1972 and positioned Deep Purple among rock's elite; the band consolidated its status with the 1973 studio follow-up Who Do We Think We Are and the hit "Woman from Tokyo." However, long-simmering creative differences between Blackmore and Gillan pushed the latter out of the group that same year, with Glover soon exiting as well. Singer David Coverdale and bassist/singer Glenn Hughes were recruited for 1974's Burn, and Gillan meanwhile formed a band bearing his own name.

After completing 1974's Stormbringer, Blackmore left Deep Purple as well, to form Rainbow with vocalist Ronnie James Dio; his replacement was ex-James Gang guitarist Tommy Bolin, who made his debut on Come Taste the Band. All the changes clearly took their toll, however, and following a farewell tour, the group dissolved in 1976. Coverdale, meanwhile, went on to form Whitesnake, and Bolin died of a drug overdose later in the year.

The classic lineup of Blackmore, Gillan, Lord, Glover, and Paice reunited Deep Purple in 1984 for a new album, the platinum smash Perfect Strangers. The House of Blue Light followed three years later, but as past tensions resurfaced, Gillan again exited in mid-1989. Onetime Rainbow vocalist Joe Lynn Turner was recruited for 1990's Slaves and Masters before Gillan again rejoined to record The Battle Rages On..., an apt title as Blackmore quit the group midway through the supporting tour, to be temporarily replaced by Joe Satriani.

In 1994, Steve Morse took over the guitar slot (fresh from a stint in Kansas), and the revitalized group returned to the studio for 1996's Purpendicular, which proved a success among the Purple faithful. 1998's Abandon followed, as well as a 1999 orchestral performance released the following year as Live at the Royal Albert Hall. Deep Purple was given the box set treatment the same year with the four-disc set Shades: 1968-1998, which collected hits, demos, live takes, and unreleased tracks from throughout the years (touching upon all of Purple's different lineups).

The late '90s/early 2000s saw the release of several other archival releases and collections (Machine Head's 25th anniversary, Friends & Relatives, Rhino's The Very Best Of, and Days May Come and Days May Go: The 1975 California Rehearsals), as well as a slew of DVDs (Total Abandon: Live Australia 1999, In Concert with the London Symphony Orchestra, Bombay Calling, and New Live & Rare). Former member Blackmore also kept himself busy after leaving the band by issuing a single album with his briefly resuscitated outfit Rainbow (1998's Stranger in Us All), before forming the Renaissance-inspired Blackmore's Night with fianc�e/vocalist Candice Night. Despite numerous lineup upheavals during their career, Deep Purple remained alive and well in the 21st century.

Track Listing
01. Burn
02. Might Just Take Your Life
03. Lay Down, Stay Down
04. Mistreated
05. Smoke On The Water
06. You Fool No One
07. Space Truckin'

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4. Download the MP3
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01. Burn 17.8 M
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02. Might Just Take Your Life 12.12 M
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03. Lay Down, Stay Down 12.58 M
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04. Mistreated 35.45 M
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05. Smoke On The Water 21.14 M
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06. You Fool No One 46.68 M
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07. Space Truckin' 71.08 M
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Deep Purple - California Jammin' IV 1974 [1974][MP3 DOWNLOAD]


Review by Dave Thompson @ALLMUSIC.COM

Although the California Jam has gone down in history as one of the all-time great Deep Purple performances, it is as a visual treat, rather than an audio experience, that it is best remembered. Filmed for ABC television's In Concert program, and long circulating on video on the Deep Purple underground, the show -- staged at California's Ontario Speedway in April 1974 -- was an exercise in intensity that reached its peak during the closing "Space Trucking", first when Ritchie Blackmore attacked and demolished a persistent camera, then when his roadie ignited several trays of gasoline, and came close to blowing up the entire stage. The festival headliners, Emerson Lake & Palmer are said to have threatened legal action following the event, simply because it was so hard for them to follow Purple's performance.

There is no way the audio soundtrack alone can convey the power and excitement of such moments. What it does supply is a clean recording of the Mark III lineup at its most powerful, ripping through a set that hits all the right highlights and confirms Deep Purple's right to be acclaimed among the greatest live acts of their (or any other) generation.

True, some of the more protracted numbers, "Space Trucking" among them, do go on a little too long. But the indulgence is more than compensated for by the visceral thrill of hearing Blackmore and Lord, in particular, unleashed -- and, besides, vast swathes of the classic Made In Japan weren't exactly designed with attention-deficits in mind, either. Which is not to say that California Jam is in any way comparable with that earlier masterpiece. But, if any one album can claim to push the Mark III band toward that particular pedestal, this is it.

Track Listing
01. Burn
02. Might Just Take Your Life
03. Mistreated
04. Smoke On The Water
05. You Fool No One - The Mule
06. Space Truckin'

Download Instructions :
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4. Download the MP3
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01. Burn 8.69 M
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02. Might Just Take Your Life 6.43 M
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03. Mistreated 14.05 M
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04. Smoke On The Water 11.6 M
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05. You Fool No One - The Mule 25.69 M
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06. Space Truckin' 34.61 M
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Sunday, April 26, 2009

Bob Dylan - New Morning [1970][2009][MP3 DOWNLOAD]


Review by Stephen Thomas Erlewine @ALLMUSIC.COM

Dylan rushed out New Morning in the wake of the commercial and critical disaster Self Portrait, and the difference between the two albums suggests that its legendary failed predecessor was intentionally flawed. New Morning expands on the laid-back country-rock of John Wesley Harding and Nashville Skyline by adding a more pronounced rock & roll edge. While there are only a couple of genuine classics on the record ("If Not for You," "One More Weekend"), the overall quality is quite high, and many of the songs explore idiosyncratic routes Dylan had previously left untouched, whether it's the jazzy experiments of "Sign on the Window" and "Winterlude," the rambling spoken word piece "If Dogs Run Free" or the Elvis parable "Went to See the Gypsy." Such offbeat songs make New Morning a charming, endearing record.


Track Listing
01. If Not For You
02. Day Of The Locusts
03. Time Passes Slowly
04. Went To See The Gypsy
05. Winterlude
06. If Dogs Run Free
07. New Morning
08. Sign On The Window
09. One More Weekend
10. Man In Me
11. Three Angels
12. Father Of Night

Download Instructions :
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4. Download the MP3
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01. If Not For You 3.84 M
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02. Day Of The Locusts 5.63 M
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03. Time Passes Slowly 3.38 M
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04. Went To See The Gypsy 3.96 M
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05. Winterlude 3.14 M
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06. If Dogs Run Free 4.43 M
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07. New Morning 5.58 M
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08. Sign On The Window 4.67 M
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09. One More Weekend 4.43 M
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10. Man In Me 4.33 M
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11. Three Angels 2.81 M
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12. Father Of Night 1.89 M
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Deep Purple - Stormbringer [1974][MP3 DOWNLOAD]


Review by Alex Henderson @ALLMUSIC.COM

Stormbringer falls short of the excellence of Machine Head and Who Do We Think We Are, but nonetheless boasts some definite classics -- including the fiery "Lady Double Dealer," the ominous title song (a goth metal treasure), the sweaty "High Ball Shooter," and the melancholy ballad "Soldier of Fortune." Most of the other songs on the decent, if uneven, Stormbringer (which Metal Blade reissued on CD in the early '90s) are not essential. Like Come Taste the Band, Stormbringer will be of interest to Deep Purple's more enthusiastic fans, rather than casual listeners who would be much better off starting out with either of the above-mentioned studio projects or the live Made in Japan.


Track Listing
01. Stormbringer
02. Love Don't Mean A Thing
03. Holy Man
04. Hold On
05. Lady Double Dealer
06. You Can't Do It Right
07. Highball Shooter
08. The Gypsy
09. Soldier Of Fortune

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01. Stormbringer 9.39 M
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02. Love Don't Mean A Thing 10.06 M
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03. Holy Man 10.3 M
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04. Hold On 11.7 M
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05. Lady Double Dealer 7.68 M
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06. You Can't Do It Right 7.77 M
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07. Highball Shooter 10.21 M
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08. The Gypsy 9.26 M
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09. Soldier Of Fortune 7.38 M
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Green Day - Know Your Enemy (CDS) [2009][MP3 DOWNLOAD]


Biography by Stephen Thomas Erlewine @ALLMUSIC.COM

Out of all the post-Nirvana alternative bands to break into the pop mainstream, Green Day were second only to Pearl Jam in terms of influence. At their core, Green Day were simply punk revivalists who recharged the energy of speedy, catchy three-chord punk-pop songs. Though their music wasn't particularly innovative, they brought the sound of late-'70s punk to a new, younger generation with Dookie, their 1994 major-label debut. Dookie sold over ten million copies, paving the way for a string of multi-platinum releases that opened the doors for a flood of American neo-punk, punk metal, and third wave ska revivalists. More than a decade later, as many of their former contemporaries settled into retirement, Green Day remained at the forefront of popular music with albums like the Grammy-winning American Idiot.

Green Day arose from the Northern California underground punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Mike Pritchard) formed their first band, Sweet Children, in Rodeo, CA, when they were 14 years old. By 1989, the group had added drummer Al Sobrante and changed its name to Green Day. That same year, the band independently released its first EP, 1000 Hours, which was well received in the California hardcore punk scene. Soon, the group had signed a contract with the local independent label Lookout. Green Day's first full album, 1,039/Smoothed Out Slappy Hour, was released later that year. Shortly after its release, the band replaced Sobrante with Tre Cool (born Frank Edwin Wright III), who became the band's permanent drummer.

Throughout the early '90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their second album, 1992's Kerplunk. The underground success of Kerplunk led to a wave of interest from major record labels, and the band eventually decided to sign with Reprise. Dookie, Green Day's major-label debut, was released in the spring of 1994. Thanks to MTV support for the initial single, "Longview," Dookie became a major hit. The album continued to gain momentum throughout the summer, with the second single, "Basket Case," spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Woodstock '94, which helped the sales of Dookie increase. By the time the fourth single, "When I Come Around," began its seven-week stay at number one on the modern rock charts in early 1995, Dookie had sold over five million copies in the U.S. alone; it would eventually top ten million in America, selling over 15 million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance.

Green Day quickly followed Dookie with Insomniac in the fall of 1995; during the summer, they hit number one again on the modern rock charts with "J.A.R.," their contribution to the Angus soundtrack. Insomniac performed well initially, entering the U.S. charts at number two and selling over two million copies by the spring of 1996, yet none of its singles -- including the radio favorite "Brain Stew/Jaded" -- were as popular as those from Dookie. In the spring of 1996, Green Day abruptly canceled a European tour, claiming exhaustion. Following the cancellation, the band spent the rest of the year resting and writing new material before issuing Nimrod in late 1997. Three years later, their long-awaited follow-up, a refreshingly poppy record titled Warning, was released. Another long wait preceded 2004's American Idiot, an aggressive rock opera that became a surprise success -- a chart-topper around the world, a multi-platinum Grammy winner, and easily the best reviewed album of their career. Green Day reveled in the album's success, hitting numerous award shows and performing as part of Live 8 in July 2005. That fall brought the release of Bullet in a Bible, a concert album that documented the trio's expansive Idiot live show.

With their popularity and commercial viability restored, Green Day took on several small projects before returning to the studio. They contributed a cover of John Lennon's "Working Class Hero" to the charity album Instant Karma, appeared in The Simpsons Movie, and recorded an entire album of '60s-styled rock & roll under the alias of Foxboro Hot Tubs. While presenting an award at the Grammys in early 2009, the band announced the impending release of Green Day's eighth album, 21st Century Breakdown, which had been recorded with veteran producer Butch Vig.


Track Listing
01. Know Your Enemy
02. Lights Out

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01. Know Your Enemy 5.44 M
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Saturday, April 25, 2009

Steelheart - Good 2B Alive [2008][MP3 DOWNLOAD]


Miljenko Matijevic has taken rock music to a whole new level. Fusing the past, present and the future together, he has created an undeniable piece of art “A modern day Led Zeppelin” (Mitch Lafon BW&BK). Matijevic’s vocals are better than ever, every song takes you on a journey; a journey that paints a portrait of his life and in doing so enables the listener to feel the song as if it were his own. A voice full of passion, power and depth, this is one album that seriously rocks. The album consists of everything from raw heavy guitars to a full orchestra which was recorded at Sky Walker Sound. Written, produced, designed and conceived by himself, he truly has embarked on a new beginning.


Track Listing
01. Samurai (4:36)
02. LOL (3:25)
03. Buried Unkind (3:47)
04. Twisted Future (4:28)
05. Shine A Light For Me (4:51)
06. I Breathe (3:45)
07. Underground (3:54)
08. You Showed Me How To Love (3:17)
09. Good 2B Alive (4:35)
10. Good 2B Alive (Acoustic Version) (5:16)

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01. Samurai (4:36)
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02. LOL (3:25)
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03. Buried Unkind (3:47)
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04. Twisted Future (4:28)
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05. Shine A Light For Me (4:51)
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06. I Breathe (3:45)
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07. Underground (3:54)
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08. You Showed Me How To Love (3:17)
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09. Good 2B Alive (4:35)
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10. Good 2B Alive (Acoustic Version) (5:16)
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AIMP v2.60 Build 466 Beta 1 (22.04.2009)


AIMP v2.60 Build 466 Beta 1 (22.04.2009)

AIMP - is a multifunctional audio center. Thanks to the built tools, you can easily transcode music from one format to another, record audio from a microphone or other audio device, edit tags of music files, as well as a group to rename or sort them. AIMP2 based on the well-known audio engine BASS - you can easily connect the plug-ins from this library to AIMP.

What's New :
AIMP v2.60 Build 466 Beta 1 (22.04.2009)
========================================
+ Skins Engine: Added saturation regulator
+ Skins Engine: Added ability to disable windows magnetize effect
* Minor functionality changes
- Fixes numerous bugs
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GDIPLUS DLL for Windows 98, Windows ME, Windows 2000, Windows XP [100% OK]


GDI+

gdiplus.dll is a graphical library introduced in ~2001 by Microsoft to make two-dimensional drawing easier. It runs on top of gdi32, and besides the changes in the programming model it also adds new features such as gradient fills, anti-aliasing, more extensive image handling, etc. There are two main components of GDI+: a flat C API where the main implementation rests, and C++ wrappers that reside in the (numerous) public headers associated with GDI+. As the latter are public and built into programs compiled on Windows, Wine's gdiplus focuses on the flat API.

Microsoft's GDI+ uses mostly gdi32 blt operations to copy its rendering results onto the destination device context whereas Wine's GDI+ (written summer 2007 by Evan Stade) passes calls through to their gdi32 equivalents. The latter approach has better performance and shorter development time, but sacrifices control over finer details.
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Wednesday, April 22, 2009

Depeche Mode - Sounds Of The Universe [ALBUM][2009][MP3 DOWNLOAD]


Review by Ned Raggett @ALLMUSIC.COM

2005's Playing the Angel proved to be one of Depeche Mode's strongest albums -- the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result -- especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion -- Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all. After all these years, though, Depeche can still pull out surprises, and what's quite astonishing about Sounds is how they've returned to the equipment and textures of their early-'80s work in particular while reworking it to match both Gahan and Martin Gore's current lyrical and songwriting techniques. On balance, Sounds is one of Depeche's lower-key albums, but not without explosive or dramatic moments by any means, though. "Come Back," one of Gahan's three songwriting contributions, captures a sudden sense of vast space right from its start, the deep-chugging percussion and reverberation perfectly contrasting the soft chimes on the verses, while "Peace," with an opening bassline straight out of the days of the band's pop-industrial phase, and a stellar vocal turn from Gahan, is an absolute high point. But "In Chains," the slow-building start to the disc, sets the tone best for Sounds as a whole, with a hushed keyboard introduction, Gahan's swoon-worthy vocals (showcasing some of his best falsetto work yet), Gore's compressed funk guitar blasts and, above all else, the sense of older styles and sounds -- classic drum machines, early synthesizers, a rumbling bass undercarriage -- serving new purposes. More overt nods to earlier days appear with songs such as "Fragile Tension" and "In Sympathy," both featuring keyboards and beats sounding beamed in from A Broken Frame days but also with beautiful vocals that the younger Gahan could never have so easily done and guitar textures that the younger Gore had yet to fully embrace. "Perfect," meanwhile, almost reaches back to Speak & Spell thanks to an opening keyboard line that immediately calls the song "Puppets" to mind, but again it's more of a launching point for the current band's sound rather than a simple exercise in retrospection. Gore's sole lead vocal appears towards the end of the album on the enjoyable if understated "Jezebel," but his uncanny knack for harmonizing with Gahan throughout remains intact, with stand-out performances including the understated clatter and chime of "Little Soul" and his bravura turn toward the end of "Wrong." On the whole, Sounds of the Universe is a grower, relying on a few listens to fully take effect, but when it does, it shows Depeche Mode are still able to combine pop-hook accessibility and their own take on "roots" music for an electronic age with sonic experimentation and recombination -- not bad for a band with almost three decades under its collective belt. [Sounds was also released in a deluxe boxed set.]


Track List :
01. In Chains
02. Hole To Feed
03. Wrong
04. Fragile Tension
05. Little Soul
06. In Sympathy
07. Peace
08. Come Back
09. Spacewalker
10. Perfect
11. Peace (Demo)
12. Jezebel (Demo)
13. Come Back (Demo)
14. In Chains (Demo)

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01. In Chains 9.31 M
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02. Hole To Feed 5.41 M
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03. Wrong 4.41 M
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04. Fragile Tension 5.69 M
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05. Little Soul 4.87 M
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06. In Sympathy 6.75 M
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07. Peace 6.15 M
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08. Come Back 7.22 M
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09. Spacewalker 2.58 M
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10. Perfect 6.31 M
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11. Miles Away - The Truth Is 5.8 M
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12. Jezebel 6.51 M
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13. Corrupt 6.95 M
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Tuesday, April 21, 2009

Depeche Mode - Sounds Of The Universe Deluxe Box Set Edition CD3 [2009][MP3 DOWNLOAD]


Review by Ned Raggett @ALLMUSIC.COM

2005's Playing the Angel proved to be one of Depeche Mode's strongest albums -- the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result -- especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion -- Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all. After all these years, though, Depeche can still pull out surprises, and what's quite astonishing about Sounds is how they've returned to the equipment and textures of their early-'80s work in particular while reworking it to match both Gahan and Martin Gore's current lyrical and songwriting techniques. On balance, Sounds is one of Depeche's lower-key albums, but not without explosive or dramatic moments by any means, though. "Come Back," one of Gahan's three songwriting contributions, captures a sudden sense of vast space right from its start, the deep-chugging percussion and reverberation perfectly contrasting the soft chimes on the verses, while "Peace," with an opening bassline straight out of the days of the band's pop-industrial phase, and a stellar vocal turn from Gahan, is an absolute high point. But "In Chains," the slow-building start to the disc, sets the tone best for Sounds as a whole, with a hushed keyboard introduction, Gahan's swoon-worthy vocals (showcasing some of his best falsetto work yet), Gore's compressed funk guitar blasts and, above all else, the sense of older styles and sounds -- classic drum machines, early synthesizers, a rumbling bass undercarriage -- serving new purposes. More overt nods to earlier days appear with songs such as "Fragile Tension" and "In Sympathy," both featuring keyboards and beats sounding beamed in from A Broken Frame days but also with beautiful vocals that the younger Gahan could never have so easily done and guitar textures that the younger Gore had yet to fully embrace. "Perfect," meanwhile, almost reaches back to Speak & Spell thanks to an opening keyboard line that immediately calls the song "Puppets" to mind, but again it's more of a launching point for the current band's sound rather than a simple exercise in retrospection. Gore's sole lead vocal appears towards the end of the album on the enjoyable if understated "Jezebel," but his uncanny knack for harmonizing with Gahan throughout remains intact, with stand-out performances including the understated clatter and chime of "Little Soul" and his bravura turn toward the end of "Wrong." On the whole, Sounds of the Universe is a grower, relying on a few listens to fully take effect, but when it does, it shows Depeche Mode are still able to combine pop-hook accessibility and their own take on "roots" music for an electronic age with sonic experimentation and recombination -- not bad for a band with almost three decades under its collective belt. [Sounds was also released in a deluxe boxed set.]


Track List :
01. Little (Demo)
02. Clean (Demo)
03. Sweetest Perfection (Demo)
04. Walking In My Shoes (Demo)
05. I Feel You (Demo)
06. Judas (Demo)
07. Surrender (Demo)
08. Only When I Lose Myself (Demo)
09. Nothing's Impossible (Demo)
10. Corrupt (Demo)
11. Peace (Demo)
12. Jezebel (Demo)
13. Come Back (Demo)
14. In Chains (Demo)

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01. Little (Demo) 5.28 M
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02. Clean (Demo) 4.69 M
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03. Sweetest Perfection (Demo) 4.54 M
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04. Walking In My Shoes (Demo) 4.22 M
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05. I Feel You (Demo) 5.73 M
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06. Judas (Demo) 5.04 M
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07. Surrender (Demo) 6.26 M
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08. Only When I Lose Myself (Demo) 6.89 M
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09. Nothing's Impossible (Demo) 6.14 M
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10. Corrupt (Demo) 8.11 M
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11. Peace (Demo) 6.5 M
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12. Jezebel (Demo) 6.13 M
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13. Come Back (Demo) 7.11 M
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14. In Chains (Demo) 6.59 M
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Depeche Mode - Sounds Of The Universe Deluxe Box Set Edition CD2 [2009][MP3 DOWNLOAD]


Review by Ned Raggett @ALLMUSIC.COM

2005's Playing the Angel proved to be one of Depeche Mode's strongest albums -- the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result -- especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion -- Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all. After all these years, though, Depeche can still pull out surprises, and what's quite astonishing about Sounds is how they've returned to the equipment and textures of their early-'80s work in particular while reworking it to match both Gahan and Martin Gore's current lyrical and songwriting techniques. On balance, Sounds is one of Depeche's lower-key albums, but not without explosive or dramatic moments by any means, though. "Come Back," one of Gahan's three songwriting contributions, captures a sudden sense of vast space right from its start, the deep-chugging percussion and reverberation perfectly contrasting the soft chimes on the verses, while "Peace," with an opening bassline straight out of the days of the band's pop-industrial phase, and a stellar vocal turn from Gahan, is an absolute high point. But "In Chains," the slow-building start to the disc, sets the tone best for Sounds as a whole, with a hushed keyboard introduction, Gahan's swoon-worthy vocals (showcasing some of his best falsetto work yet), Gore's compressed funk guitar blasts and, above all else, the sense of older styles and sounds -- classic drum machines, early synthesizers, a rumbling bass undercarriage -- serving new purposes. More overt nods to earlier days appear with songs such as "Fragile Tension" and "In Sympathy," both featuring keyboards and beats sounding beamed in from A Broken Frame days but also with beautiful vocals that the younger Gahan could never have so easily done and guitar textures that the younger Gore had yet to fully embrace. "Perfect," meanwhile, almost reaches back to Speak & Spell thanks to an opening keyboard line that immediately calls the song "Puppets" to mind, but again it's more of a launching point for the current band's sound rather than a simple exercise in retrospection. Gore's sole lead vocal appears towards the end of the album on the enjoyable if understated "Jezebel," but his uncanny knack for harmonizing with Gahan throughout remains intact, with stand-out performances including the understated clatter and chime of "Little Soul" and his bravura turn toward the end of "Wrong." On the whole, Sounds of the Universe is a grower, relying on a few listens to fully take effect, but when it does, it shows Depeche Mode are still able to combine pop-hook accessibility and their own take on "roots" music for an electronic age with sonic experimentation and recombination -- not bad for a band with almost three decades under its collective belt. [Sounds was also released in a deluxe boxed set.]

Track List :
01. Light (Bonus Track)
02. The Sun And The Moon And The Star (Bonus Track)
03. Ghost (Bonus Track)
04. Esque (Bonus Track)
05. Oh Well (Bonus Track)
06. Corrupt (Efdemin Remix)
07. In Chains (Minilogue's Earth Remix)
08. Little Soul (Thomas Fehlman Ambient Mix)
09. Jezebel (Sixtoes Remix)
10. Perfect (Electronic Periodic Dark Drone Mix)
11. Wrong (Caspa Remix)

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01. Light (Bonus Track) 6.74 M
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02. The Sun And The Moon And The Star (Bonus Track) 6.76 M
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03. Ghost (Bonus Track) 9.23 M
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04. Esque (Bonus Track) 4.04 M
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05. Oh Well (Bonus Track) 9.54 M
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06. Corrupt (Efdemin Remix) 8.91 M
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07. In Chains (Minilogue's Earth Remix) 10.33 M
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08. Little Soul (Thomas Fehlman Ambient Mix) 11.97 M
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09. Jezebel (Sixtoes Remix) 7.7 M
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10. Perfect (Electronic Periodic Dark Drone Mix) 6.93 M
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11. Wrong (Caspa Remix) 6.72 M
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Depeche Mode - Sounds Of The Universe Deluxe Box Set Edition CD1 [2009][MP3 DOWNLOAD]


Review by Ned Raggett @ALLMUSIC.COM

2005's Playing the Angel proved to be one of Depeche Mode's strongest albums -- the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result -- especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion -- Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all. After all these years, though, Depeche can still pull out surprises, and what's quite astonishing about Sounds is how they've returned to the equipment and textures of their early-'80s work in particular while reworking it to match both Gahan and Martin Gore's current lyrical and songwriting techniques. On balance, Sounds is one of Depeche's lower-key albums, but not without explosive or dramatic moments by any means, though. "Come Back," one of Gahan's three songwriting contributions, captures a sudden sense of vast space right from its start, the deep-chugging percussion and reverberation perfectly contrasting the soft chimes on the verses, while "Peace," with an opening bassline straight out of the days of the band's pop-industrial phase, and a stellar vocal turn from Gahan, is an absolute high point. But "In Chains," the slow-building start to the disc, sets the tone best for Sounds as a whole, with a hushed keyboard introduction, Gahan's swoon-worthy vocals (showcasing some of his best falsetto work yet), Gore's compressed funk guitar blasts and, above all else, the sense of older styles and sounds -- classic drum machines, early synthesizers, a rumbling bass undercarriage -- serving new purposes. More overt nods to earlier days appear with songs such as "Fragile Tension" and "In Sympathy," both featuring keyboards and beats sounding beamed in from A Broken Frame days but also with beautiful vocals that the younger Gahan could never have so easily done and guitar textures that the younger Gore had yet to fully embrace. "Perfect," meanwhile, almost reaches back to Speak & Spell thanks to an opening keyboard line that immediately calls the song "Puppets" to mind, but again it's more of a launching point for the current band's sound rather than a simple exercise in retrospection. Gore's sole lead vocal appears towards the end of the album on the enjoyable if understated "Jezebel," but his uncanny knack for harmonizing with Gahan throughout remains intact, with stand-out performances including the understated clatter and chime of "Little Soul" and his bravura turn toward the end of "Wrong." On the whole, Sounds of the Universe is a grower, relying on a few listens to fully take effect, but when it does, it shows Depeche Mode are still able to combine pop-hook accessibility and their own take on "roots" music for an electronic age with sonic experimentation and recombination -- not bad for a band with almost three decades under its collective belt. [Sounds was also released in a deluxe boxed set.]

Track List :
01. In Chains
02. Hole To Feed
03. Wrong
04. Fragile Tension
05. Little Soul
06. In Sympathy
07. Peace
08. Come Back
09. Spacewalker
10. Perfect
11. Miles Away/the Truth Is
12. Jezebel
13. Corrupt

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5. It's 100% Free MP3
6. Enjoy it!!!!!

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In Chains 9.75 M
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Hole To Feed 5.5 M
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Wrong 4.97 M
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Fragile Tension 6.13 M
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Little Soul 4.86 M
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In Sympathy 6.71 M
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Peace 7.19 M
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Come Back 7.51 M
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Spacewalker 2.76 M
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Perfect 7.1 M
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Miles Away/the Truth Is 6.11 M
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Jezebel 7.07 M
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Corrupt 9.71 M
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Monday, April 20, 2009

Joe Bonamassa - Blues Deluxe [2003][MP3 DOWNLOAD]


Biography by MacKenzie Wilson & Al Campbell @ALLMUSIC.COM

Guitar mastermind Joe Bonamassa, a young player with the childhood dream of playing music similar to legends like Stevie Ray Vaughan, Eric Clapton, and Jimi Hendrix, was 22 when he inked a deal with Epic. Hailing from Utica, NY, Bonamassa could play the blues before he could drive a car. He first heard Stevie Ray Vaughan at age four and was instantly taken by Vaughan's high-powered playing. By age eight he opened for B.B. King, and at age 12 he was playing regularly around upstate New York. It was soon thereafter that Bonamassa hooked up with the band Bloodline, which featured other musicians' sons: Waylon Krieger (Robby Krieger's son), Erin Davis (Miles Davis' drummer kid), and Berry Oakley, Jr. (son of the Allman Brothers bassist). Bloodline released a self-titled album, but Bonamassa wanted to move on. In summer 2000 he guested for Roger McGuinn on Jethro Tull's summer tour, later releasing his debut solo album, A New Day Yesterday. Produced by longtime fan Tom Dowd, the album marked a move toward a more organic and rock-sounding direction. He put together a power trio with drummer Kenny Kramme and bassist Eric Czar and hit the road to support the album. Upon returning from the road, he hooked up with Dowd to record the muscular and sweeping studio disc So, It's Like That and released a document of the tour, A New Day Yesterday Live. The following year Bonamassa put out Blues Deluxe, featuring nine cover versions of blues classics alongside three originals. The muscular You & Me appeared in 2006, followed by the more acoustic-tinged Sloe Gin in 2007. A year later, Bonamassa released the two-disc live album Live from Nowhere in Particular, followed by the all-new Ballad of John Henry in 2009.

Joe Bonamassa - Blues Deluxe [2000]
Review by Al Campbell @ALLMUSIC.COM

Joe Bonamassa's first solo release in 2000, A New Day Yesterday, paid homage to classic '70s blues/hard rock. Three years later, with the release of Blues Deluxe, the young guitarist is doing the same with the roots of the blues. Eight of the 12 tracks are covers: B.B. King's "You Upset Me Baby," John Lee Hooker's "Burning Hell," Buddy Guy's "Man of Many Words," Elmore James' "Wild About You Baby," T-Bone Walker's "Long Distance Blues," Freddie King's "Pack It Up," Albert Collins' "Left Overs," and Robert Johnson's "Walking Blues." The problem with about half of the disc is the difficulty of covering this type of material without being able to add much to it. At this relatively early stage in Bonamassa's discography, it may have been a better idea if he would have mixed 70-percent originals with a few covers instead of vice-versa. It's obvious Bonamassa has devoured this material, but his take on "Burning Hell," for instance, doesn't come close to matching the strength and realism of the original. The album's strong points are the three originals — "Woke Up Dreaming," "I Don't Live Anywhere," and "Mumbling Word" — and the Jeff Beck Group's "Blues Deluxe," which features smokin' guitar pyrotechnics. Still, thanks to musicians like Bonamassa, the more traditional blues artists covered on this disc continue to gain just as much exposure as younger artists as Eric Clapton, Stevie Ray Vaughan, or Jimi Hendrix.


Track List :
01. You Upset Me Baby
02. Burning Hell
03. Blues Deluxe
04. Man Of Many Words
05. Woke Up Dreaming
06. I Don't Live Anywhere
07. Wild About You Baby
08. Long Distance Blues
09. Pack It Up
10. Left Overs
11. Walking Blues
12. Mumbling Word

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01. You Upset Me Baby
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02. Burning Hell
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03. Blues Deluxe
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04. Man Of Many Words
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05. Woke Up Dreaming
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06. I Don't Live Anywhere
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07. Wild About You Baby
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08. Long Distance Blues
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09. Pack It Up
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10. Left Overs
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11. Walking Blues
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12. Mumbling Word
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Sunday, April 19, 2009

Joe Bonamassa - So, It's Like That [2002][MP3 DOWNLOAD]


Biography by MacKenzie Wilson & Al Campbell @ALLMUSIC.COM

Guitar mastermind Joe Bonamassa, a young player with the childhood dream of playing music similar to legends like Stevie Ray Vaughan, Eric Clapton, and Jimi Hendrix, was 22 when he inked a deal with Epic. Hailing from Utica, NY, Bonamassa could play the blues before he could drive a car. He first heard Stevie Ray Vaughan at age four and was instantly taken by Vaughan's high-powered playing. By age eight he opened for B.B. King, and at age 12 he was playing regularly around upstate New York. It was soon thereafter that Bonamassa hooked up with the band Bloodline, which featured other musicians' sons: Waylon Krieger (Robby Krieger's son), Erin Davis (Miles Davis' drummer kid), and Berry Oakley, Jr. (son of the Allman Brothers bassist). Bloodline released a self-titled album, but Bonamassa wanted to move on. In summer 2000 he guested for Roger McGuinn on Jethro Tull's summer tour, later releasing his debut solo album, A New Day Yesterday. Produced by longtime fan Tom Dowd, the album marked a move toward a more organic and rock-sounding direction. He put together a power trio with drummer Kenny Kramme and bassist Eric Czar and hit the road to support the album. Upon returning from the road, he hooked up with Dowd to record the muscular and sweeping studio disc So, It's Like That and released a document of the tour, A New Day Yesterday Live. The following year Bonamassa put out Blues Deluxe, featuring nine cover versions of blues classics alongside three originals. The muscular You & Me appeared in 2006, followed by the more acoustic-tinged Sloe Gin in 2007. A year later, Bonamassa released the two-disc live album Live from Nowhere in Particular, followed by the all-new Ballad of John Henry in 2009.

Joe Bonamassa - So, It's Like That [2002]
Review by Jesse Jarnow @ALLMUSIC.COM

Joe Bonamassa may well be a young guitar virtuoso, in line with the likes of Derek Trucks and John Mayer (like Jonny Lang and Kenny Wayne Shepherd before them) to be the Next Blues-Rock Guitar Hero. Unfortunately, he's not much of a songwriter. So, It's Like That, his sophomore solo effort, is filled with subpar tunes bloated with clichés. The production (by Clif Magness) is swell enough, though Bonamassa's guitar sometimes sounds too carefully dirty, and his band — comprised of drummer Kenny Kramme and bassist Eric Czar — far too generic. Bonamassa shines when he is allowed to stretch out and explore, on songs such as the sonically varied "Pain and Sorrow." There, on a long improvisation, he works through myriad modes of playing, textures, and musical ideas. And, since it is one of the album's only extended tracks, it is also one of the album's only redeeming moments — and the only thing that clearly separates Bonamassa from generic boorishness.


Track List :
01. My Mistake
02. Lie #1
03. No Slack
04. Unbroken
05. So, It's Like That
06. Waiting For Me
07. Never Say Goodbye
08. Mountain Time
09. Pain And Sorrow
10. Takin' The Hit
11. Under The Radar
12. Stick In Love
13. The Hard Way

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01. My Mistake
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02. Lie #1
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03. No Slack
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04. Unbroken
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05. So, It's Like That
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06. Waiting For Me
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07. Never Say Goodbye
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08. Mountain Time
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09. Pain And Sorrow
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10. Takin' The Hit
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11. Under The Radar
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12. Stick In Love
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13. The Hard Way
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Joe Bonamassa - A New Day Yest